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Bakul Ayam by Soetopo


       (lots #718)



       The painter Soetopo was born in Yogyakarta in April, 1931. After
       completing his education at ASRI Yogyakarta in the 1950s, Soetopo joined
       Sanggar Pelukis Rakyat, which was founded by Hendra Gunawan, and
       studied under the guidance of Hendra Gunawan, Trubus, and Soedarso.
       Using a style akin to realism, he presents the themes of daily activities and
       social realities that exist around Javanese society. His paintings reflect his
       personal life, which is simple and unpretentious.
       In this painting a chicken vendor is seated in the foreground of the
       painting. The chickens she sells are scattered on the ground in front of
       her. She holds up two chickens by their legs, offering them to the standing
       man in front of her. Meanwhile, another woman behind her tries to sell
       the man another chicken. The standing man, dressed in a red and white
       striped t-shirt with dark jacket, with a belt and big buckle holding up his
       sarung and black pants, seems ready to bargain, while holding a chicken in
       his left hand.
       Behind them is another scene. On the upper left corner of the
        canvas, another standing man holds a chicken while talking to a woman
       next to him. Another man who is seated below them, appears to be
       refusing money from the woman next to him. The painting shows the
       dynamism of the market transactions among the chicken vendors.
       This painting comes from the collection of the late a famous Indonesian
       lawyer. Her eclectic collection consist of artworks by various Indonesian
       artists, ranging from the more laid back, humorous artists, like Faizal and
       Ade Artie Tjakra, to the more serious, senior artists, like Dolorosa Sinaga,
       Maria Tjui, Amrus Natalsya, Soetopo, Jeihan Sukmantoro, and Sudarso.



























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